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Armide

How apt that Opera Atelier has chosen to open its 30th anniversary season with its faultless Armide. Brought first to Toronto's Elgin Theatre in 2012 ...
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The Dybbuk

At the end of Soulpepper's world premier of The Dybbuk, or Between Two Worlds, the audience leapt to its feet, giving the entire cast a standing ovati...
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Orpheus

Opera  Atelier’s production of Gluck’s Orpheus and Eurydice is a delight precisely because it brings back a pristine, classical approach to opera in k...
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Die Walküre

The Canadian Opera Company's magnificent remounting of their 2006 production of Wagner's Die  Walküreis a striking example of Toronto's steady coming-...
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Arcadia

Tom Stoppard's Arcadia is arguably about the nature of genius (among other things), but sadly the genius in tonight's production, with a few exception...
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Alcina

Opera Atelier's Canadian Premiere of Handel's Alcina meets every expectation that we have of the company – it is sexy, smart, visually delightful, and...
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King Lear

As I sit down to write this review, I remember the gut wrenching howl rising from the depths of a human soul as an old man staggers forward carrying h...