Grace is an English Literature graduate from UCL and currently works for a creative agency, specialising in design and communication. She has a background in the arts, with training in music and extensive experience performing in plays and musicals.
From the first crack of the whip you are hooked. The Prince of Egypt is an absolute extravaganza - lavish costumes, acrobatic physical theatre, innova...
Bleak morbidity, sexual exploitation, disloyalty, deception and injustice are, rather unconventionally, all sewn together by Shakespeare’s comedic thr...
Life should be in technicolour; it is erratic, vibrant, and unpredictable… not unlike the little-less-than-perfect vegetable ranges; delicious, unique...
As a twenty year old, the performative world of Kate Bush is a complete mystery; as just a lover of her music, the ins and outs of her performance are...
Little Miss Sunshine, for a show that addresses a lot of pressing contemporary issues, retains its feel-good family factor. Unlike what the title may ...
Richard Eyre’s version of La Traviata is exquisite – striking the perfect balance between opulence and sensitivity. The sheer brilliance and complexit...
For a musical that addresses serious issues ranging from disfiguration to race, Violet is peculiarly up-lifting. Its exuberant soundtrack is a dynamic...
