Harry is studying BA (Hons) Drama and Theatre Arts at the University of Birmingham. He is a theatre director, and his work can be followed here: https://harrytennison.wordpress.com/
Unlike the recent Barbican production, Simon Godwin creates a Hamlet fit for the 21st Century. The transformation of Shakespeare’s revenge tragedy to ...
I come from the bizarre position of having never seen the 1999 DVD version of Andrew Lloyd Webber and Tim Rice’s sung through musical. I recall seeing...
Shakespeare’s King Lear is the ultimate tragedy. Nowhere else can we see the violent abandonment of responsibility, the abuse of one’s parents, a swat...
The distracting haunts of the radio haunt Made Up throughout, as it runs with very minimal pace change. In fact, consistent is an apt description to a...
Never have I seen an audience so quickly break into rapturous applause as I did at Matthew Zajac’s The Tailor of Inverness. The one-man play, also sta...
If you say you haven’t heard of John Steinbeck’s most famous work, people give you funny looks, as if you’d just renounced the fact that the Earth is ...
We regularly hear of radical reinterpretations of Shakespeare classics. Perhaps we will not find such a version that stretches the bard’s work as the ...
Ella Hickson deliberately renames her adaptation of J.M.Barrie's classic novel, and with good reason. In this revival of their original production, th...
The annual Christmas show is often a delight for families, providing spectacle and fun for the children, and some decent songs and acting for the adul...
