Rémi Prin en conversation avec Thibault ElieLe Festival d’Avignon Thibault Elie Interviews 21/07/2019
Reviewer's rating Aurora Owen Davies 25/02/2019The admirable Bury Court Opera has brought us another specially commissioned work by promising young composer Noah Mosley. It’s a...
Reviewer's Rating Follies Agnes Carrington-Windo 24/02/2019Stephen Sondheim’s Follies has returned after a phenomenally successful run in 2017. Imelda Staunton may have gone but the production...
reviewer's rating Jesus Hopped The ‘A’ Train Isabella Waldron 23/02/2019Stephen Adly Guirgis’ Jesus Hopped The ‘A’ Train is an explosive, verbose play set in the maximum security wing of...
Reviewer's Rating Switzerland Elizabeth Bove 22/02/2019Performed in one hour and twenty minutes without intermission, Joanna Murray-Smith’s cleverly conceived Switzerland brought to us by the Hudson...
Reviewer's Rating Kinky Boots Mel Cooper 21/02/2019Kinky Boots The Musical is an excellent show both in conception and execution. The original film was very successful. I...
Reviewer's rating The Price Tim Hochstrasser 21/02/2019It is fifty years since this still underrated Arthur Miller play was first produced in New York. This play is...
Reviewer's Rating American Clock Emma Burnell 20/02/2019The American Clock is a lavish production of a confusing and disjointed play. It reminded me of nothing so much...
Reviewer's Rating Agnes Colander: An Attempt at Life Tim Hochstrasser 20/02/2019Harley Granville-Barker is still known, but not nearly as well-known as he used to – or for that matter should...
Reviewer's Rating Fame Richard McKee 20/02/2019It’s not just certain Premier League football teams that have been having unprecedented unbeaten runs lately. The New Wimbledon Theatre...
Reviewer's Rating Un Ballo in Maschera Owen Davies 19/02/2019Giuseppe Verdi often fell foul of the censors, and he was well aware that an opera about the assassination of...
