Reviewer's Rating Swan Lake/Loch na hEala Primrose MacFay 29/11/2016his is total theatre and it doesn’t get better than this. If I could give it ten stars I would....
Reviewer's Rating Things I Know To Be True Madeleine Drury 26/11/2016trong performances, a stunning soundtrack, yet weak writing: those are the things I know to be true about Frantic Assembly’s...
Reviewer's Rating Manon Lescaut Alessandro Zummo 26/11/2016he first revival of Jonathan Kent’s production of Manon Lescaut stirs strong emotions as it undoubtedly must have when it...
Reviewer's Rating Half A Sixpence Richard Voyce 24/11/2016know I’m always banging on about structure, and what happens when you get it wrong in a musical, but there’s...
Reviewer's Rating The City That Cried Wolf Paul Meltzer 24/11/2016ou have to at least admire the commitment to the premise. Comedian/actor/playwright Brooks Reeves doggedly mashes up every Grimm’s fairy...
Reviewer's Rating The Tempest Becca Kaplan 23/11/2016our hundred years and the final piece of a legacy, LOFT’s The Tempest celebrates the enduring humanity that Shakespeare has...
Reviewer's Rating Cloud Gate 2 – Triple Bill Pauline Flannery 23/11/2016aiwanese Company, Cloud Gate 2, tear up the rule book. Yes, influences are there – Martha Graham, Merce Cunningham, martial...
Reviewer's Rating The Tempest Mel Cooper 21/11/2016here is a great deal of publicity about the use of contemporary technology that has been applied to make the...
Reviewer's Rating Akram Khan’s Giselle Primrose MacFay 21/11/2016kram Khan’s re-worked “Giselle” at Sadler’s Wells ended with the packed-house audience rising as one with a standing ovation. Many...
Reviewer's Rating Black / what remains and is to come Marine Furet 20/11/2016or this double bill, the Tramway pairs up two performances dealing with space, things, and the traces they leave behind...
