‘Harold and Maude’ is charming stage version of Hal Ashby’s 1971 movie, which gained cult status in later years. The story is about a rich unhappy tee...
It’s not often that a revival manages so completely to expunge the memory of the original production. However, Thom Southerland’s new staging of The W...
Death Takes a Holiday, the Yeston/Stone/Meehan musical which has just opened at The Charing Cross Theatre boasts accomplished direction, a great cast,...
One-Woman shows are notoriously difficult to pull off successfully and, if I’m honest, I don’t believe O Come All Ye Divas, the American impressionist...
Here we are squeezed into the grand and squat Charing Cross theatre, the sound of a train overhead like thunder, and bang on cue. A fragmented boardwa...
There's certainly no lack of ambition in the production of Maury Yeston's Titanic which has just berthed at The Charing Cross Theatre in approximately...
Tennessee Williams’ 1969 play, In the Bar of a Tokyo Hotel is rarely performed, and after watching, I think there is some reasoning behind that. It is...
This brilliant show is described by the creative team at Unexpected Opera as “Wagner’s Ring Cycle conditioned with comedy and shrunk to two hours”. Th...
Mandy Holliday’s new adaptation of Hans Christian Andersen’s fairy tale The Tinderbox is perfect for young pre-school children, with a simple plot and...
Celebrating the 100th anniversary of the birth of most loved French icon singer Edith Piaf, the singing play is strong in musical prowess, emotional s...
