Emily Louizou is a professional theatre director based in London. She trained on the MFA in Theatre Directing at Birkbeck College, University of London and at Drama Centre. Prior to this, she completed her BA English at UCL. Over the past eight years, she has been actively involved in theatre; directing, writing or acting. She is the artistic director and founder of Collide Theatre, a collective of emerging artists producing visually exciting new work and reimagining classics. Her last production - TROY - was a new contemporary opera funded by the Arts Council England and based on a modern Greek text that Emily translated and directed. See more of Emily’s work on her website: https://www.emilylouizou.com
Simon Stone certainly knows how to direct stunning productions! He also knows how to re-tell old stories in the most accessible ways. His production o...
I still remember going to the National to watch Nicholas Hytner’s production of Othello for the Olivier stage. Almost ten years have passed since that...
Closer was first performed 25 years ago - in May 1997. I first saw it in Athens in 2008 and was immediately hooked by the play’s power through simpl...
Dodie Smith’s The Hundred and One Dalmatians is one of the most popular stories of the 20th century. Disney, of course, contributed to the story bec...
Beth Steel’s new play is a tour de force! It is a relentless, and yet sweet, a family drama set against the complex and versatile industrial landsca...
Lyric Hammersmith Theatre and Headlong present in association with Birmingham Repertory Theatre a new version of the classic Faustus myth. Chris Bush ...
This new play, written by the acclaimed David Greig, came to London all the way from Melbourne - where the production premiered in June 2019. Afters i...
