Emily Louizou has just completed her BA English at UCL and is about to start an MFA in Theatre Directing at Birkbeck, University of London. Over the past eight years she has been actively involved in theatre; directing, writing or acting. She is artistic director and founder of Collide Theatre, a collective of emerging artists producing edgy new work and reimagining classics. Recent directing credits include: Heiner Müller’s Hamletmachine (site-specific, Tanner Street warehouse, 2016), Sarah Kane’s 4.48 Psychosis (Site-specific, Crypt St Pancras Church, 2015), Euripides’ Bacchae (Bloomsbury Theatre, British Museum & International Tour, 2015), Eugene Ionesco’s The Bald Soprano (Camden Fringe 2015), world premiere of Gingerbread (Almeida Theatre, August 2015), Unknown (Bloomsbury Theatre, 2014).
Mark Healy adapts for the stage John Fowles’ classic novel which tells the story of Frederick, a butterfly collector, who after falling in love with M...
Titus Andronicus is one of Shakespeare’s most notorious plays – a lot of companies just avoid it because of its extremely violent scenes. Luvas Theatr...
For Those Who Cry When They Hear the Foxes Scream is the first play of Charlotte Hamblin and this is a rather very exciting debut! The play is all you...
Beacons at the always invigorating Park Theatre is a three-hander about the power of love and the importance of family. This is a well-written play by...
One thing can be certain about this new production at the Young Vic: it is visually impressive! Even from the moment you enter the auditorium you cann...
Fictive Theatre presented its own take on Fiona Evans’ engaging play Scarborough and gave us a rather strong performance. The play tells the story of ...
Penelope Skinner’s Linda is a tremendously strong piece of new writing, and a bold comment about how sexist our society still is. The protagonist’s wo...
Jonathan Miller’s hilarious production of The Mikado is certainly one worth seeing. This iconic production returns to the ENO’s Coliseum to celebrate ...
Master of the Macabre is Benedict Barber’s first solo stage show, but unfortunately not as impressive or terrifying as the performer himself states in...
