Most Americans that think of Butoh imagine it as a Japanese avant-garde dance performed by bald, chiseled men, naked except for a loincloth and a full...
At Black Lake, written by German playwright Dea Loher and translated by Daniel Brunet, opens with an arrival. Johnny and Else show up late to Eddy and...
It has become such a rote exercise for directors and choreographers to plunder Lewis Carroll’s children’s classic that one would be forgiven for ignor...
For many who are the products of tempestuous home environments, animals provide a rare instant of peace. Animals serve as a reminder of innocence, an ...
In 2010, the Greek economy imploded and the authoritarian permafrost covering much of the Arabian Peninsula and North Africa thawed in a sweeping Arab...
Feral opens with the tamest of images: a man walks on stage and, with a black sharpie, draws a stick figure, which he labels, “Joe (Me)”. The man cont...
This iteration of “Shakesbeer,” titled “The Games We Play,” features four scenes, each in a different bar, and each turning on, predictably, a game. T...
A young white man enters a dark planetarium, wielding a gun, and opens fire. One of his bullets rips young black girl from her mother beneath the cold...
Anybody who goes Anne Carson’s new, beguiling play, expecting a tight narrative about the lives of Marilyn Monroe and Helen of Troy, will come out dis...
