Max Wilkinson is a director/writer who studied Fine Art (Performance) at Central Saint Martins. He has written and directed a number of shows for the Courtyard, the White Bear, the Bridewell and his new play, Hong Kong City, will be performed at the King's Head Theatre in May. Coming from a Fine Art background he likes to keep a very open mind and has trained internationally with the Wooster Group (NYC), the English Theatre Berlin as well as at home with the British Museum (Shakespeare: Staging the World). Writing for Plays to See allows him to pursue these different interests.
This ambitious new play asks some big questions. Ian Rickson’s production of Christopher Shinn’s Against traverses the landscape of American violence,...
First performed at the Royal Court in 1986, John Tiffany’s excellent revival does everything to elevate the poetry and pathos of Cartwright’s original...
Any new piece by Forced Entertainment is wildly anticipated by audiences with a taste for radical performance and Dirty Work (The Night Shift), a revi...
I don’t see the point son! shouts a man, bursting out of a tent in his pants to a chorus of monkish mountain chanting. In Romantika’s latest productio...
A hotel room in Boston. Blue wall above the bed receding left and right, three ducks flying in the middle. A man tells us this is the year of drugs an...
