Kali Urvashi Vashist 18/05/2016 The Crick Crack Club's lineup of multi-talented performers dabble and delve deep into a wide range of oral, linguistic and musical, narrative traditio...
F*cking Men Urvashi Vashist 12/12/2015 “Don’t you know what ‘no’ means?” “It means that you’re a woman.” Joe DiPietro’s Fucking Men is based on Arthur Schnitzler’s 1900 Le Ronde, and exam...
Kwaku, Ananse & other African folktales Urvashi Vashist 05/12/2015 The first thought a reviewer has as the lights dim is that it is curious musicians have not more ubiquitously exploited the sonic sublimity of drums b...
Sarai Urvashi Vashist 27/10/2015 Billed as "one woman's epic journey to found a new nation," Sarai is beautifully choreographed by Shane Shambhu; Karlina Grace-Paseda's alternations b...
Tipping the Velvet Urvashi Vashist 01/10/2015 The pace is so relentless one might suspect the production of attempting obfuscation of, or misdirection away from, some fundamental lack — but this i...
Morgana le Fey Urvashi Vashist 30/09/2015 Xanthe Gresham believes (as, presumably, does Nick Hennessey though he expresses no opinion on the subject except through infusing harp and voice with...
Hula House Urvashi Vashist 23/09/2015 If you are reading a review of Hula House you either have or wish to have an opinion on the debates surrounding the decriminalization of sex work in t...
A Girl and A Gun Urvashi Vashist 23/09/2015 A Girl and A Gun is titled after a quotation widely attributed to Swiss-French fimmaker Jean-Luc Godard: all you need to make a movie (successful) is ...
The Secret Life of You and Me Urvashi Vashist 14/02/2014 A comprehensively autobiographical production, Lowri Evans's Secret Life is at the very least an utterly fascinating experiment. Her narrating self is...
As You Like It Urvashi Vashist 05/10/2013 So one can have too much of a good thing. Jessica Ruono’s breezy, funny, disquieting, seventy-five-minute production is no quaintly abridged Lamb Tale...
