Tristram Shandy – Conception, Cock & Bull Richard McKee 09/06/2014othing odd will do long”, opined Dr Johnson. “Tristram Shandy did not last.” Laurence Sterne, the author of The Life and Opinions...
Russell Maliphant Company – Still Current Katerina Yannouli 08/06/2014till Current is a five-part work from choreographer Russell Maliphant. Malliphant, Britain’s leading modern dance creator, according to Daily Express, is an...
Orpheus and Eurydice James Cross 07/06/2014n the Greek myth, mired in grief at the death of his beloved wife Eurydice, Orpheus played and sang so...
Lear Sandra Lawson 07/06/2014hil Willmott’s idea of casting a female Lear is a bold one, which works well on some levels. It confronts...
Patience, or Bunthorne’s Bride Richard Voyce 06/06/2014ilbert and Sullivan’s Patience first saw the light of day at London’s Opera Comique on 23rd April, 1881 (moving to Richard D’Oyle Carte’s...
Manual Oracle Aleksandra Sakowska 06/06/2014anual Oracle conceived, written and directed by Phoebe von Held is a result of her ‘artist in residence’ research period at...
A Simple Space Katerina Yannouli 06/06/2014oming from Adelaide, Gravity and Other Myths is a multi-award winning ensemble of acrobats, neither big top clowns nor death...
Opus No 7 Ben Millson 05/06/2014he Dmitry Krymov Lab has built a reputation around innovative theatre with a design-led focus, and Opus No 7 fits firmly within...
Zanna, Don’t – A Musical Fairy Tale Richard Voyce 05/06/2014anna, Don’t, the incredibly likeable and energetic musical which has just opened at Clapham’s Landor, first saw the light of...
The Confessions of Gordon Brown Richard McKee 04/06/2014irst performed at the Edinburgh Festival in 2013 and subsequently transferred to the Trafalgar Studios in Whitehall, this mordant political...
