Gillian is studying journalism and theatre at Fordham University at Lincoln Center. She also works as the online editor for The Fordham Observer and as an intern for Broadway News. Besides theater writing, she also loves dancing, exploring the city and Schmackary's cookies, which hold a very special place in her heart.
The most memorable line from Sara and Reid Farrington’s BrandoCapote was an analogy that likened three middle-school bullies to a “Cerberus of average...
Strangers in the Night aptly begins with a melancholy horn rendition of Frank Sinatra’s same-named ballad. And then Frank steps onstage - no, not Sina...
There’s probably little I can tell you about the symbolism, character complexity and modernist nature of Tennessee Williams’ The Glass Menagerie that ...
Imagine time-traveling. There’s likely some point between the time period you’re coming from and the one you’re going to where you’re sort of in betwe...
Grab your walking shoes and ditch your large bags, folks - this show requires your hands free to hold a candle, applaud, and perhaps wipe some stray t...
“I have nothing to hide,” said multiple characters on repeated occasions throughout Looking at You, a “techno-noir opera” that immerses you in a tech ...
In honor of the short form celebrated by 59E59 Theaters’ Summer Shorts Festival, I offer short takeaways from each of the fantastic plays in Series B....
When I learned the show’s premise, I was originally skeptical that watching competitive solitaire players square off could be as gripping as a fast-pa...
What happens in Vegas doesn’t always stay in Vegas. For better or for worse, sometimes its bright lights, hijinks, and debauchery make appearances on,...
