Gillian is studying journalism and theatre at Fordham University at Lincoln Center. She also works as the online editor for The Fordham Observer and as an intern for Backstage, having previously interned at Broadway Brands, Mood of Living and Voices Newspaper. Besides theatre writing, she enjoys dancing, sword-fighting and Schmackary's cookies, which hold a very special place in her heart.
“Ok boomers,” I have to hand it to you — the music you grew up with can’t be beat, no pun intended. “Young Blood” I may be, but a “Piece of My Heart” ...
The set of Ran Xia’s In Blue at The Tank is wistful, antique. A string suspended from the ceiling holds sparse, bare lightbulbs and letters above the ...
The most memorable line from Sara and Reid Farrington’s BrandoCapote was an analogy that likened three middle-school bullies to a “Cerberus of average...
Strangers in the Night aptly begins with a melancholy horn rendition of Frank Sinatra’s same-named ballad. And then Frank steps onstage - no, not Sina...
There’s probably little I can tell you about the symbolism, character complexity and modernist nature of Tennessee Williams’ The Glass Menagerie that ...
Imagine time-traveling. There’s likely some point between the time period you’re coming from and the one you’re going to where you’re sort of in betwe...
Grab your walking shoes and ditch your large bags, folks - this show requires your hands free to hold a candle, applaud, and perhaps wipe some stray t...
“I have nothing to hide,” said multiple characters on repeated occasions throughout Looking at You, a “techno-noir opera” that immerses you in a tech ...
In honor of the short form celebrated by 59E59 Theaters’ Summer Shorts Festival, I offer short takeaways from each of the fantastic plays in Series B....
