After my Breath/Eden 2.0 Tim Hochstrasser 21/07/2026To its credit, Grimeborn has always emphasised environmental themes, whether in choice of repertoire or production style. With the impact...
Swan Lake Tim Hochstrasser 19/07/2026The marvel of Swan Lake is its plasticity and flexibility in the hands of so many generations of performers, directors...
The Smile of Her Rivka Jacobson 17/07/2026With that deceptively simple observation, Christine Lahti opens one of the most compelling evenings of theatre currently on the London...
The Oresteia Olivia Hurton 16/07/2026The Ancient Greeks knew all about terrible families. They thought nothing of offering their audiences blood-soaked revenges of dynastic dysfunction...
1000 (Millennia) Soyoon Koo 14/07/2026Before the Almeida was a theatre, it was a monastery, a pub, a scientific society hub. Could it one day...
Reviewer's rating Portrait of a Tom as a Young Neenan Jad Adams 10/07/2026Tom Neenan is a writer who through Covid redirected his creativity into portrait painting. Here in a one-man show he...
Reviewer's rating Richard III Jad Adams 09/07/2026Billed as ‘a visceral, dark tale of ambition’, this production gives that and then some. Richard III is one of...
Wife to James Whelan Olivia Hurton 06/07/2026Plays, it is sometimes argued, are transient things. They emerge from a particular socio-historic moment, coloured by all its prejudices...
Springwood Tim Hochstrasser 01/07/2026When did it become the fashion to ring the changes on play or a film so that each has to...
Archduke Tim Hochstrasser 29/06/2026Many writers take their cue from historical events, but Rajiv Joseph’s spin on history is a consistently interesting one. In...