Iolanthe Owen Davies 22/02/2026Charles Court Opera (CCO) is now the company to go to for the best Gilbert and Sullivan. This production of...
Man & Boy Tim Hochstrasser 22/02/2026This play is rarely produced, and the explanation for that rests rather with the circumstances of its debut rather than...
The Story of Peer Gynt Olivia Hurton 20/02/2026At a time of rampant individualism, the story of Peer Gynt comes to us as a cautionary tale about selfhood....
Reviewer's rating What I’d Be Jad Adams 20/02/2026What I’d Be starts with two girls sitting on a park bench, aged 15 and 18. Things are not right...
Rise and Fall of the City of Mahagonny Marc Berman 17/02/2026Which crime deserves the ultimate punishment – cold blooded murder or failing to pay the bar tab? For the citizens...
2:22 – A Ghost Story Rhys John Edwards 17/02/2026I didn’t know an awful lot about ‘2:22 – A Ghost Story’, bar the theatrical snobbery that seems to follow...
Peter Grimes Owen Davies 16/02/2026It is hard to believe that Opera North has had this production of Britten’s Peter Grimes sitting in its warehouse...
I’m Sorry Prime Minister Lara Inglis-Jones 16/02/2026Arriving at I’m Sorry Prime Minister without any familiarity with the original television series, expectations are modest. The main point...
The Marriage of Figaro Owen Davies 15/02/2026The finest product of the unlikely partnership between Mozart and Lorenzo Da Ponte, The Marriage of Figaro is an essential...
Shadowlands René Weis FRSA 15/02/2026In this welcome revival of William Nicholson’s now classic play, a superb script and brilliant acting deliver a terrific evening...
