The Price Rivka Jacobson 25/04/2026There is something quietly revealing about a production that only truly comes alive in its second half. Arthur Miller’s The...
The Wooster Group: Nayatt School Redux Wilder Gutterson 23/04/2026Leaving the theatre after the Wooster Group’s production of Nayatt School Redux, I overheard numerous audience members wrestling with the...
Two Halves of Guinness Tim Hochstrasser 23/04/2026This remarkable one-man show celebrates and excavates the life and career of Sir Alec Guinness. Of all that generation of...
Salome Owen Davies 22/04/2026Richard Strauss composed some of the most beautiful operatic music for the female voice. Salome, his first big success, dating...
Twice A Kiss Tim Hochstrasser 22/04/2026Outside Cambridge, where he was a leading figure in the musical firmament for some thirty years, the name of Peter...
Between the River and The Sea Wilder Gutterson 21/04/2026As an Arab Christian who grew up in Israel as part of the country’s Palestinian minority, Yousef Sweid embodies a...
The Rape of Lucretia Soyoon Koo 20/04/2026Hampstead Garden Opera’s production of The Rape of Lucretia seems to understand that this opera is not merely about an...
The Gondoliers Richard Voyce 15/04/2026If I had been taken to The Hackney Empire to see only Robin Bailey as Marco (in English Touring Opera’s...
Attachment Theory Wilder Gutterson 14/04/2026The premise of Attachment Theory, by Liam Scanlon, (transferring from Canal Café Theatre to The Bread and Roses Theatre), is...
Reviewer's rating Iphigenia Jad Adams 14/04/2026It is always a challenge to produce a piece of literature two and a half millennia old, there is a...
